Halloween Freakout 2018

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Halloween Freakout 2018
Saturday, October 27, 2018 8:00 PM
401 MINI INDY, Toronto, Ontario
  • 19 & Over
Save CAD $1.00 on your order by sharing this event with your friends at checkout!
Admission Type Price Quantity

General Admission - Tier 1

CAD $40.00 Sold Out

General Admission - Tier 2

CAD $45.00 Sold Out

General Admission - Tier 3

CAD $50.00

General Admission - Tier 4

CAD $55.00
HST:816866487
ALL SALES ARE FINAL
Show Details
  • When: Saturday, Oct 27, 2018 8:00 PM (Doors open at 8:00 PM)
  • Ticket Price: CAD $40.00 - CAD $55.00
  • Door Time: 8:00 PM
  • Tags: Halloween
  • Restrictions: 19 & Over
  • Where: 401 MINI INDY 37 Stoffel Dr Toronto, Ontario m9w 6a8
Performing Artists (Click on Artist for Reviews and Previews)
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Destiny, Embrace and Activate present:
The 14th Annual Halloween Freakout 
www.halloweenfreakout.com

Event starts at 8PM Sharp!

Venue: 401 Mini Indy Go-Karts, 37 Stoffel Dr, Toronto

Must be 19+ with ID
Rusko: Hello, world: Rusko kindly requests that you wake the fuck up. The Leeds-born DJ/producer who ascended with the original U.K. dubstep movement – and gave it one of its first and most enduring anthems, a bolt of foul-mouthed rave lightening called “Cockney Thug” – is here to tell you that music is not about labels and dance is no fad. And to prove it, he proudly presents “SONGS”: His gutsy, freewheeling, brilliant second album. “The sound of my early releases was very dub-influenced, and just good, fun, bouncy vibes,” he says. “The majority of dubstep at the moment I think is aggressive, and I don’t like angry music; I don’t want to be angry in a club. So I wanted to make something really happy, but still heavy.” “Happy and heavy” is a proper way to describe the vibe that has carried Rusko from the first moments of dubstep’s life to the biggest stages in the world; from a single, seminal bass wobble to a swath of sounds that can’t be capped in a few simple syllables. He might be one of the guys who started it all – but he’s sure as hell not going to leave it at that. A staple of the global electronic underground, Rusko has packed nightclubs, concert venues and festivals across the world, and not only dance-dedicated ones: From Electric Daisy Carnival and Ultra Music Festival, to Coachella and Lollapalooza; from Germany’s Melt! to Australia’s Good Vibrations. He created the majority of “O.M.G.!,” his hard-hitting debut artist album, on the road, cutting tracks by day, and testing them on living, breathing dance floors by night. But for the follow-up, he wanted to try a different strategy. “From January to late September 2011, I didn’t make a single track,” he says. “I spent all that time touring around the world, building up a massive swell of ideas inside me.” With the long tour done, the artist took two months completely off and ensconced himself in a tiny one-room studio in California’s Hollywood Hills, with no phone reception and spotty-at-best Internet access. The hermit style paid off. “I made all 14 songs in 8 weeks,” he says. “I didn’t try any out like before; I just stayed in the same headspace and vibe, and made the whole album in one go. You can really tell: Compared to ‘O.M.G.!,’ it sounds like one crazy Technicolor song!” There is indeed a rowdy kind of sprightliness throughout “SONGS,” which sets a wizard’s box of dance music charms to some of its most misunderstood: cracking, smacking breakbeats, and reverberant, sonic-boom bass. The rave piano vamp of first single “Somebody to Love,” the accelerated classic house of “Pressure,” the head-nodding reggae of “Skanker,” the epically trancey sweep of “Opium” and “Thunder,” even “Dirty Sexy,” a tongue-y but not so cheeky nugget of American-style R&B: They all express a different part of what makes Rusko pogo like a punk while he spins, and carry the energy and soul of his inimitable, genre-be-damned style. Back in 2007 – when “dubstep” was an idea known to a critical few – Rusko and DJ/producer Caspa lit the spark with a dubstep-dedicated mix for London nightclub Fabric’s influential compilation series Fabriclive. Rusko’s “Cockney Thug” was the centerpiece, evangelizing the bass “wobble” that’s since set the world on fire – a seminal moment that the Guardian UK called one of the 50 key events in dance music history. The young artist released a slew of singles and EPs, including the “Babylon” series, which shows his transition from happier rave to heavier dub. Remix commissions came in droves: Rusko has put his buoyant spin on over 20 tracks, including Kid Cudi’s “Day ‘N’ Night,” Lady Gaga’s “Alejandro,” and Kid Sister’s “Pro Nails.” He also produced the majority of “Maya,” M.I.A’s third and highest-charting studio album. In 2010, Rusko’s “Cali Anthem” becoming the first dubstep tune to be listed on US radio, and “O.M.G.!” was released on Mad Decent/Downtown. Containing tracks like the raucous “Woo Boost” and elegantly aggressive anthem “Hold On” (featuring Amber Coffman from The Dirty Projectors), it cemented the young artist as one of the leaders of the new dance movement. Rusko is touring internationally behind “SONGS,” and preparing to release an EP with a similarly ingenious group of rule-breakers: American hip-hop outfit Cypress Hill. So world, if you’re awake, now hear this: Rusko is here to roll the beats, and dance music will never be the same.
Andy C:
In the world of electronic music, there are few bigger names than that of Andy C.
 
With over 40+ awards to date, Andy C’s career has been nothing short of a phenomenon. He’s sold-out Alexandra Palace and Brixton Academy with his own solo shows, played headline slots at the world’s greatest festivals including Creamfields, Glastonbury, EDC, and SW4, and released a string of phenomenal crossover anthems like ‘Heartbeat Loud’ and club cuts like ‘New Era’. He’s also the go-to remixer for the likes of Major Lazer, Sigala, London Grammar and beyond, and the d&b figure recently chosen to host the first drum & bass radio show on Apple Music’s Beats 1, broadcast to over 100 countries.
 
A reputation as one of the most significant British artists in global dance music has been hard earned, but it’s hard to place the tipping points. Was it his performance at Radio 1’s Hackney weekend, where his set was watched online by more people than either Jay Z or Rihanna? When he performed to 85,000 people at Glastonbury in 2013? When he sold out Brixton Academy in 10 minutes? Or when his remix of Major Lazer charted on iTunes after being added to the Radio 1 Playlist?
 
Andy’s success and status as a festival main stage headliner and DJ who guarantees sell-out roadblocks is driven by a phenomenal work ethic and the kind of tour schedule that makes rock bands look like part-timers.
 
As the owner and figurehead for Ram Records, Andy’s nurtured and developed huge headline artists such as Chase & Status, Wilkinson and Sub Focus, turning it into one of the world’s most respected independent operations across recordings and now festivals like EDC Las Vegas, Creamfields, and SW4 where Ram have hosted their own arenas and stages.
 
Andy’s main signature motif as a DJ is that he’s guaranteed to be packing tracks that no other DJ has. Hunting, digging, searching and signing: he is constantly immersed in new music. Not only does this ensure a wholly unique experience when you see him live, but it also gives Ram Records a front row seat when it comes to spotting new artists... As the likes of Loadstar, Wilkinson, Calyx & TeeBee, Frankee, Delta Heavy, Culture Shock, DC Breaks, Hamilton, Mind Vortex, Chords and many more exciting talents will happily confirm.
 
On 31 March, Andy will complete his 13 week residency run at XOYO. The first d&b artist chosen by the renowned London club, tickets for his entire residency sold out far in advance. The Friday night run has allowed Andy to nurture a weekly crowd on a par with his legendary sets at The End, bringing together older heads and d&b’s new converts together under one roof.
 
Summer 2017 festival dates include Lovebox, Let it Roll festival, Snowbombing, Lost & Found, Wild Life, Parklife, Dour Festival, Nu Forms, Boardmasters, Dreambeach, Innovation in the Sun, Tomorrowland, Reading Festival, Leeds Festival, Bestival, Middlelands and many more to be announced.